You’d think that something so formal as the urban planning process and something so simple, decentralized and informal as streetart wouldn’t mesh too well together, right? Well, one way in which streetart can integrate itself into the planning process is as a means of raising awareness of important societal issues. The long tradition of pranksterism lends itself well to social pressure, as the Yes Men and their many media stunts show.
Have you heard of the Urban Renewal Squad? They’re a Toronto-based group which uses streetart as a means of raising awareness of cycling issues and problems, and they’ve pulled off some impressive work in the last couple of months… such as a modifying of a City of Toronto logo to include a cyclist and pedestrian and a strategic pothole stencilling campaign.
Very interesting stuff that reminds me of the work of Roadsworth and creates a whole lot of potential for new street art campaigns. What do you think, my dear readers? Streetart and graf’s prankster roots offer a great position for social commentary without getting into the territory of excruciatingly in-your-face annoying political commentary that many of us, including me, hate. Writing a political slogan on a wall is so much easier than pulling off a clever, well-thought-out piece of graf or street art. And it’s a lot easier to call the general public a bunch of sheeple for not appreciating the truth of your ‘SMASH THE STATE” which you’ve scrawled on the side of a bank building than it is to actually get involved in existing community initiatives or give people something to think about and enjoy.
And don’t forget to use the widget located on the righthand side of the page. Using it raises money for To Write Love On Her Arms, which is a damn good nonprofit which could use a lot more donated time and money.
And as for a book update, the manuscript is almost complete. All which remains to do is to put together the front and back covers and scan/integrate the two blueprints which I’m about halfway finished drawing. Then it gets sent off to my editors and shipped off to a publisher. Once I hear from a publisher I can can have an idea of when it’ll be ready for purchase and start setting up the sale infrastructure.