Since it’s been a couple of weeks since I last updated the blog, let me tell you of new things…
The book, “The Art of Swap” is finished, and I am in the middle of writing a number of cover-letters and writers’ statements to send off to a couple of publishers. Part of the process involves explaining where and how what I’ve written fits into the existing literary field, and this I’ve found to be a frustrating and interesting task. Interesting, because little exists in the way of similar work. Most street-art books treat the work as a series of pictures -just like any other visual art book- disconnected from their context and creator, and to my knowledge no one has written a combined street art book/urban planning theory text.
Street art and graffiti are the world’s first truly international art movements. They transcend race, class and gender, and embedded in their practice are a whole lot of interesting issues, ideas and conflicts related to notions of accessibility to and control over public space. Street art and graf, if you ask me, also play into concepts of urban design and renewal (the improvement of areas of public space and the mission of inserting a bit of joy and wonder into people’s lives have always influenced the pieces that I’ve done.)
As it stands now, I’m working on building a swing set to be hung up in a yet-undetermined location. (I’ve seen some similar and very neat pieces where others built swings that could be mounted on trees or even inside bus shelters.) One idea I’ve had bouncing around in the back of my head is to see how GIS (Geographic Information Systems) software could be used in the furtherance of installation-based street art projects. (After all, I am an urban planning student with access to a wealth of powerful planing tools…) Since GIS works on the basis of displaying interactive layers of data on maps, one could potentially display the location of all parks (or pieces of public art, etc) on the island of Montreal, run an algorithm or two to plot an area around each park equivalent to a 5 or 10-minute walking distance and display the urban areas which are in, for want of a better term, a ‘park desert’.
more to come, including pictures from the Elmaks/Meen/AZDEAD “Inglorious Beasties” art show!